»The Scriabin Code found an essential part of the code: the sound, your own sound in it, going forward and playing it like it is yours. Play the originals like they were standards. That’s it, you cracked the code!«
Richie Beirach
IInitiateur, Compositeur & Clarinettiste
Martin Albrecht est un homme qui a trois fonctions clés: initiateur, clarinettiste et compositeur. Il a eu l’inspiration pour un CODE SCRIABIN déjà en l’an 2000 lors d’un récital de piano dans les studios légendaires de Glenn-Gould à Toronto – avec les préludes de Scrjabin.
C’est le début d’une recherche sur les traces du passager de frontières russe. Elle inspire Martin Albrecht, formé dans la musique classique et dans le jazz.
«Martin Albrecht codifie quelque chose qui provient du noyau des pièces, et il les traduit dans des nouvelles formes de son »
(Lüneburger Landeszeitung)
Piano
As one of the most sought after Jazz musicians of Germany, Daniel Prandl provides fantasy and accomplished improvisation on the grand piano. Both his work in broadcasting (NDR, WDR, SWR) as well as his work for the National Theatre and the Capitol in Mannheim are regularly in demand and can be heard on several CD recordings.
“Music can do that here too: Out of less to make the much quoted more. Bravo!” (soultrain)
Piano
In Scrjabin's Préludes sound forms, the excellent pianist Asli Kilic stands for the classical essence.
Educated by Paul Dan and Ragna Schirmer, among others, at the Colleges of Music in Cologne and Mannheim, parallel to their stirring concert work, she already published two of CDs which have been highly praised by the specialist magazines.
“Asli Kilic interpreted confidently, wonderfully soulful to extremely furious.”
(Lueneburg Newspaper)
Batterie
On drums, Dirk Schilgen satisfies the many different styles with supreme ease and sensitivity. He has proven this for a long time – also as a band leader and composer – on many broadcasts and in theater productions as well as on international concert trips.
“A tremendous homage”
(Hamburger Abendblatt)
Contrebasse
La contrebassiste classique Rebecca Mauch connait depuis longtemps un grand succès en tant que charnière entre différents univers musicaux. Ses nombreuses performances en collaboration avec des orchestres de renom, aussi bien sur des scènes de théâtre, en musique de chambre, dans des projets de groupe ou en encore en improvisation, enrichissent et ancrent davantage les particularités du Scriabin code.
“There are wonderful musical dream sequences to discover in it (…) of a lingering ambiguity.”
(Kultkomplott) Kultomplott)
Video Artist
By profession, Reinhard Geller is busy in the craft of synaesthesia. He listens and watches. Then his live and uniquely modified visuals ultimately blend in each performance: sound mixer, music
producer, composer, painter and media arts artist.
“The symbiosis succeeds wonderfully.”(Mannheimer Morgen)